Introduction to Ophelia in Hamlet Of all the pivotal characters in Hamlet, Ophelia is the most static and one-dimensional. She has the potential to become a tragic heroine -- to overcome the adversities inflicted upon her -- but she instead crumbles into insanity, becoming merely tragic. It appears that Ophelia herself is not as important as her representation of the dual nature of women in the play. The extent to which Hamlet feels betrayed by Gertrude is far more apparent because of Ophelia's presence.
Claudius hastily married King Hamlet's widow, GertrudeHamlet's mother, and took the throne for himself. Denmark has a long-standing feud with neighbouring Norway, in which King Hamlet slew Hamlets dilemmas and transformation in shakespeares tragedy Fortinbras of Norway in a battle some years ago.
Although Denmark defeated Norway, and the Norwegian throne fell to King Fortinbras's infirm brother, Denmark fears that an invasion led by the dead Norwegian king's son, Prince Fortinbrasis imminent.
On a cold night on the ramparts of Elsinorethe Danish royal castle, the sentries Bernardo and Marcellus discuss a ghost resembling the late King Hamlet which they have recently seen, and bring Prince Hamlet's friend Horatio as a witness.
After the ghost appears again, the three vow to tell Prince Hamlet what they have witnessed. As the court gathers the next day, while King Claudius and Queen Gertrude discuss affairs of state with their elderly adviser PoloniusHamlet looks on glumly.
During the court, Claudius grants permission for Polonius's son Laertes to return to school in France, and sends envoys to inform the King of Norway about Fortinbras. Claudius also scolds Hamlet for continuing to grieve over his father, and forbids him to return to his schooling in Wittenberg.
After the court exits, Hamlet despairs of his father's death and his mother's hasty remarriage. Learning of the ghost from Horatio, Hamlet resolves to see it himself.
Horatio, Hamlet, and the ghost Artist: Henry Fuseli As Polonius's son Laertes prepares to depart for a visit to France, Polonius gives him contradictory advice that culminates in the ironic maxim "to thine own self be true. That night on the rampart, the ghost appears to Hamlet, telling the prince that he was murdered by Claudius and demanding that Hamlet avenge him.
Hamlet agrees and the ghost vanishes. The prince confides to Horatio and the sentries that from now on he plans to "put an antic disposition on", or act as though he has gone mad, and forces them to swear to keep his plans for revenge secret.
Privately, however, he remains uncertain of the ghost's reliability. Act II[ edit ] Soon thereafter, Ophelia rushes to her father, telling him that Hamlet arrived at her door the prior night half-undressed and behaving erratically.
Polonius blames love for Hamlet's madness and resolves to inform Claudius and Gertrude. As he enters to do so, the king and queen finish welcoming Rosencrantz and Guildensterntwo student acquaintances of Hamlet, to Elsinore.
The royal couple has requested that the students investigate the cause of Hamlet's mood and behaviour. Additional news requires that Polonius wait to be heard: The forces that Fortinbras had conscripted to march against Denmark will instead be sent against Poland, though they will pass through Danish territory to get there.
Polonius tells Claudius and Gertrude his theory regarding Hamlet's behaviour, and speaks to Hamlet in a hall of the castle to try to uncover more information.
Hamlet feigns madness but subtly insults Polonius all the while. When Rosencrantz and Guildenstern arrive, Hamlet greets his "friends" warmly, but quickly discerns that they are spies. Hamlet becomes bitter, admitting that he is upset at his situation but refusing to give the true reason why, instead commenting on " what a piece of work " humanity is.
Rosencrantz and Guildenstern tell Hamlet that they have brought along a troupe of actors that they met while traveling to Elsinore. Hamlet, after welcoming the actors and dismissing his friends-turned-spies, asks them to deliver a soliloquy about the death of King Priam and Queen Hecuba at the climax of the Trojan War.
Impressed by their delivery of the speech, he plots to stage The Murder of Gonzago, a play featuring a death in the style of his father's murder, and to determine the truth of the ghost's story, as well as Claudius's guilt or innocence, by studying Claudius's reaction.Ophelia's darling Hamlet causes all her emotional pain throughout the play, and when his hate is responsible for her father's death, she has endured all that she is capable of enduring and goes insane.
Hamlet's Transformation from Good to Evil in Shakespeare's Hamlet Hamlet’s transforms from good to evil in the play Hamlet by Shakespeare.
Hamlet experiences a lot of pain and becomes very anger because of his father’s death, his mother’s bad remarriage, and the loss of his only love, Ophelia. Shakespeare often expresses a negative view of human nature through his characters.
Hamlet, for instance, says: How weary, stale, flat and unprofitableSeem to me all the uses of this world!Fie on. Shakespeare’s development, on the issues it raises, and most particularly on the theme of the course.
Every play contains its transformations, and every play transforms students’ thinking, deepening and enlarging it. That short lecture done, we start on the text of the play or the sonnets.
Shakespeare's treatment of love: the mature tragedies Albert E. Clark Even if Hamlet is primarily a tragedy of revenge, Othello a tragedy of jealousy, and Macbeth a tragedy of ambition, love, but the unions of Shakespeare's mature tragedy do not enhance but waste the lives of those involved.
From Hamlet, an ideal prince, and other essays in Shakesperean interpretation: Hamlet; Merchant of Venice; Othello; King Lear by Alexander W. Crawford. From the opening of the play Hamlet has been marked as a melancholy man.